9/1/2023 0 Comments Helicon focus object examples![]() Take a series of shots starting with the closest detail and progressing outward. Meter for exposure then switch to manual exposure to lock settings. Return the focus to the closest detail you want to be in focus.Ħ. The best range is f/5.6-8, with the best overall sharpness at f/8.ĥ. If not, open the aperture and take test shots until satisfied with the background blur. Check that the background is sufficiently blurred. Take a test shot with the furthest detail in focus that you want in focus. Due to focus breathing the scene will zoom out as your focus further away.Ĥ. Compose the shot at the closest focus distance (ie with the nearest detail in focus). Set white balance with a white or gray card.ģ. Set the camera at ISO 200, f/8, and aperture priority exposure. Set up the camera on a tripod with remote shutter release and two second delay.Ģ. This was in the neighborhood of 12-14 or so:įinally, here's my procedure for focus stacking with my DA35 macro, so I don't have to reinvent the wheel every time or mess up some detail and have to go back and re-shoot the stack.ġ. Here are my examples, all relatively easy subjects to stack (I was at work yesterday, and couldn't get the links). Then build from there with more complicated attempts. Pick subjects that are relatively flat that don't have lots of overlapping structures to begin with. ![]() For starters, you can avoid situations like this that require more work to get good results: When starting out (that's how I classify myself) you can make the learning curve less steep by the subjects you choose. Looks like picture clean up will be required with any of these stacking programs, and the learning curve is steep.Tedious retouching is not always necessary.
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